Arts & Culture

The Zulu War of 1879 is quite well known and the two battlefields that witnessed a disastrous massacre at Isandlwana and a heroic defence at Rorke’s Drift marked the beginning of the British Campaign.  They both occurred on 22 January and involved 25,000 warriors in mortal combat, in which some 5,000 died. Their detail continues to generate a book a year and a regular stream of visitors to the battlefields.

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Portrait of Lt. John Chard Royal Engineers

Manet is the blockbuster exhibition of the season in London.  Advance bookings are among the highest in the RA’s recent history, so the show will doubtless help replenish the RA’s coffers.  The RA, unusually quick to spot an opportunity, is offering ‘exclusive’ Sunday evening openings – for £30 (double the normal price) – although this includes a drink and an audio-guide.

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Berthe Morisot with a bouquet of violets 1872

The opera is based on the well known story of the Minotaur kept in the labyrinth in Crete, who is sent a cargo of innocents from Athens as an annual sacrifice, and is slain by Theseus. The monster’s half sister Ariadne helps Theseus by giving him a ball of twine so that he can find his way out of the labyrinth, on the understanding that he will then take her back to Greece to become his wife.

The opera had its premiere at the Royal Opera House in 2008.

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Christine Rice as Ariadne in The Minataur

Light from the Middle East

This exhibition is fascinating and contains many really exciting works and the entrance is free.

The V&A has been collecting art from the Middle East and photography since its foundation in the 1850s.  Thanks to the Art Fund, the V&A and the British Museum started building up a collection of photography from the Middle East in 2009, and this exhibition represents a selection of those photographs.

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Tavakolian

Constable, Gainsborough, Turner: The Making of British Landscape

At the Royal Academy

8 December 2012  – 17 February 2013

Aside from its blockbuster, coffer-filling exhibitions, the RA often offers little stocking-filler exhibitions – usually small, low-budget, bijou shows, drawn from their own collection.

Now that the surprisingly successful Bronzes exhibition has finished and before they open their next big blockbuster, Manet’s Portraits (26 January – 14 April), they have a charming, if slightly academic, exhibition in the opulently gilded John Madekski Rooms and two adjacent rooms. All the works come from the RA’s own collection, though they have never been shown together and many are little known.
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John Constable The Leaping Horse

The Vintage Magazine’s International  Art Editor, Terence Rodrigues shares his experience of The Frieze Art Fair:-

Contemporary art – smoke and mirrors?

For months before, people are planning their flights, their diaries and, of course, their wardrobes.  It’s the place to be seen.  All other invitations, whether in New York, Paris, Moscow or Beijing, have to be declined. London is abuzz and never looks so lively, sexy, cool or international.  It is Frieze Week.
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String Frame